- low key black and white visual style
- roots in German expressionist cinematography
- derives from crime fiction of US Great Depression
- central figure often an private eye (THE BIG SLEEP 1946)
- or a plain clothed police man (THE BIG HEAT)
- an ageing boxer (THE SET-UP)
- a hapless grifter (NIGHT AND THE CITY)
- or simply a victim if circumstance (D.O.A)
- film noir nearly always have a strong female character who resist and disturb the male ordered world
- gives us pleasure by making us uncomfortable: anxiety vulnerability and fright are all part of the thrill
- characters faces often partially shadowed to create hidden threatening spaces
- often sleazy, milieu of claustrophobic alley ways or destered spaces alternating with gaudy night clubs and swank apartments
- high contrast lighting
Wednesday, 9 October 2013
09/10/13 RESEARCH: FILM NOIR
I used these books to do some research into film noir and what we were going to do for the film opening and from these books I noticed that the key things with film noir are
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We worked on this in the lesson.
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